Biscuits
I rang my daughter.
She was in another country,
Baking Carmelina biscuits.
As we chatted, she multi-tasked,
And spilled them on the floor.
I felt guilty.
30 October 2008
My daughter’s homeward plane takes her out of my sight.
I reflect on the doings of our shared fortnight.
She had come from her gracious home in Chianti
To rest in my modest Murrindindi shanty.
She’s fifty, a lovely and sensitive lady.
I’m eighty, obsessive and pr’aps a mite shady.
But, when we once again meet, settle down and talk,
It’s not at all (as one might have feared) cheese and chalk.
We chat, with deep interest and ardour, about
Politics, books, poetry, family and drought.
We cook and we garden, and on hills breast the breeze,
And share playful games about art, cattle and trees.
There are also big hugs that give perfect pleasure,
And gentle words that surpass every measure.
Then, at the airport, we part.
Quiz
When the daughter flew from Tulla on swift wings,
What of most consequence did she leave behind?
Could it be socks, her camera, some earrings?
Perhaps clean windows, planted herbs or soft words?
In truth, it was not any one of those things.
It was loving hearts.
Parenting
My child is sleeping nearby
In a temporary bed
Lovingly made up by me.
Such joy creating a nest
For a daughter - even when
She’s going on fifty-three.
For a Time, from Tuscany
They came, my daughter and
Her man, with gusto and
With glee, to join us in
Bucolic amity.
They conversed in jolly
Family-style, stirring
Memories and mirth, as
We supped right merrily.
They left busy laptops
To pitch in, farming-style,
Lifting wood, hunting leaks,
Planting, clipping, gazing.
They danced upon the hills,
Looked down on valley mist,
Up to southern stars, and
Shared with us their wonder.
It was a blissful time.
The Kindest Cut
Betimes the Cattleman’s shaggy,
His fair locks drearily daggy.
The reason is simple and clear:
The daughter’s arrival is near.
For she can comb and cut and snip
And make him as svelte as a whip.
For which he’s ever so grateful,
Barbers being a bit hateful
Because they fuss and they snick so
(Even when asked for a quick mow),
To convince their chair-bound bunny
He’s got full value for money.
My Two Wives
City lady:
Stylish dresser,
Keenly coiffured;
Devoted to
Ballet, concerts,
Live theatre
And thoughtful books.
Country lady:
Striding the hill,
Garish parka,
Tousled by wind;
And on her knees,
Weeding, and rough
Cursing rabbits.
The Flower Lady
Absorbed in their beauty,
Enthralled by their perfume,
She glides among flowers
In both garden and home,
Inspecting and plucking,
Arranging in vases,
With fond and skilled fingers
So they’re ever in view.
My Sister
Small elderly lady,
A little bent perhaps
(Has trouble with her back),
Walking Yorkshire Molly
In a favourite park.
Two bags: peanuts for crows
And squirrels; the other,
Bread for ducks and pigeons.
Three gigantic green lads,
Stoning pigeons, laughing.
Outrage overcomes timid.
Actress, big voiced at need,
Regal command: ‘Stop that!’
Lads seek to salvage poise,
With mini-male pride sneers.
But she barks back - and scores.
They slink off sheepishly.
She sinks on to a bench,
Legs shaking, heart pounding:
Disengaged fear, and age.
Molly licks her slack hand.
Overhead, pigeons swirl,
Crows, squirrels assemble,
Now assured of their feast.
Bastille Day, 1959
It happened, oh, so long ago,
To gracious lady we all know,
Who then was something short of three.
Sunny lunch in Paris bistro:
The tot was given H20,
The parents chose a fine white wine.
Those pale colours have since conspired
To make some think that what transpired
Was entirely accidental.
But others, of less trusting mood,
Envisaged questing sips pursued
Surreptitiously by rosy lips.
Whate’er the truth of that may be,
What followed was a comedy
On the Boulevard Saint-Germain.
Lunch done, the little family
Set off quite ordinarily,
Hand in hand, tiny one midway.
Then sudden she began to sing
So loud as made the welkin ring,
And startled all the passers-by.
And equal sudden, as she strode,
Her legs collapsed towards the road:
Only clasping hands maintained her.
The populace all mostly smiled
At this inebriated child,
For such a merry sot was she.
At their modest pensioné
She retired, a young Salomé,
And in classic style ‘slept it off’.
So when it came to eventide,
She was alert and starry-eyed
As fireworks mirrored in the Seine.
All this, as said, was long ago;
And she confesses nought to know
Of this tipsy infant caper.
There’s only one more thing to say
About that distant Bastille Day:
Its recall, by two, is treasured.
Floral Exactitude
Throwing open the gate to her
Belovéd, bloom-brimming bower,
My lady announced with hauteur,
‘I shall pluck only one flower,
And already,’ such a soft purr,
‘Know precisely which I’ll prefer.’
Rite of Passage
Nicknamed ‘Cornflakes’ (née Kornish),
She was all of five years old,
Youngest boarder in the school.
She’d heard, in scary whispers,
About Nellie Fitchett’s ghost
That dwelt up in the tower.
(‘Twas not known what Nellie did
But clearly it was dreadful,
For her ghost was proof of that.)
Then there chanced a fateful day
When Cornflakes was persuaded
To endure a hallowed rite.
Her allotted task: to spend
A night atop the tower
With poor Nellie Fitchett’s ghost.
The time at last did come, so
She clenched her infant teeth and
Clambered up those fearsome stairs,
Blanket clutched, and pillow, stripped
Off her dormitory bed,
With a torch to light her way.
Amid dusty attic trunks
(Tallied on the hour or so),
The night passed slow and sleepless,
The darkness dread and pressing,
The feeble torchlight leaving
Most things in deepling shadow.
But, happily, no shocking
Apparition swept out from
The gloom prior to the dawn.
Creeping stealthy down the stairs
Back into her slumbered dorm,
Good fortune stayed with Cornflakes,
For Miss Pearson, quite close by,
Did not awake to scold when
She slipped softly into bed -
And, well content, sank to sleep.
Seeing My Wife in Her Unknown Youth
I’m not a fan of the dance:
Ballets bore; ballroom’s a chore.
But just once saw a dance that
Gave me delight beyond words.
A wedding: two agéd guests
(Last clasped as dashing young things)
Well met on the dance floor and
Re-lived their past for a while.
Their free-flowing movement, their
Verve and their polish and their
Joyous understanding soon
Cleared the floor, captured the room.
Amid the applause, I gazed
On my Lena, enraptured.
Her grace, long adored, only
Then did I see at full stretch.
Mother’s Hoard
A pensioner she, proud
And cunning and frugal
(Apart from scotch and fags).
As I flew from abroad
To visit, she tottered
Swift to the Post Office.
Keen to show her pass-book:
Those bland blue daring eyes.
She was lying, of course.
Ever, on my leaving,
She cashed out, stuffing it
Into a roomy purse
And trusty Shepherd’s Bush
Curtains, secure once more
With her money to hand.
Of Witchery
My lady is a witch
(White preferentially).
All cats know it, and seek
Her out, though she rejects
Their stealthy overtures,
Professing fondness for
Certain canines only.
Many years ago, my
Dear dead mother (astute
In many things) warned me:
‘The woman is a witch!’
But there was a twinkle
In that maternal eye
That belied the warning.
And so I blundered on,
Abandoning, one by
One, those cautious wiles that
Had so long safe-guarded
Me in the state of one.
Until the witch, at last,
Drove me into her arms,
Forever.
Beloved Barber Cometh
Never been cool:
Barely do jeans,
Detest wordy
T-shirts, dislike
Collar-deep hair.
Yet now and then
Let sparse grey locks
Lengthen and flow
On promise of
Pleasure hirsute.
Tuscan daughter
Icumen in;
Scissors await;
Make sure she has
Summat to snip!
Of Social Limpets
Generally speaking, they are
Notoriously unpleasant,
Whether loud and public or,
As more usual, covert and sly.
They cling to any rock that
Smells of fame or wealth or power;
They yearn for reflected glory
And/or some kind of preferment.
But there is as well a sub-branch
Of the species, less remarked, less
Obnoxious, and intent solely
On averting isolation.
My granddaughter and I are two of this breed.
At mass Jewish functions, her rock
Is her mother; mine is my wife.
We cling to them, tight as can be.
But that is not always enough.
Both rocks are flighty, slippery
When spying old friends, and inclined
To leave us aquake in their wake.
But we take comfort from knowing
That if they manage to slip us,
At least we deserted limpets
Do have each other to cling to!
When the Children Visit from Afar
They fly in, gifting
Us golden days of
Warm hugs, light laughter
And cosy chatter.
Then, as they must, they
Fly off to resume
Full and fruitful lives
(While depleting ours).
Yet always, always,
They refresh our stock
Of joy by saying
Simply, ‘We’ll be back!’
A Long-ago Exchange with a
Deeply Belovèd
2015
‘I don’t know that I can trust you,’
She said, my twelve-year-old daughter,
On the phone in the home where I
Was no longer living with her.
Shocked, speechless, I burst into tears.
It was, unintentionally,
The most potent defence I could
Have contrived: she melted at once.
Of Nicholas and Fish
2015
Pre-crawling Nicholas,
Gleefully rolling back
And forth, from tummy to
Back and tummy again
(Each time winning tender
Applause for achievement),
Discerns the greater world
Like a fish in a pool.
But, oh, so more honeyed
Is the world that he kens!
Fish see uncaring lips,
Eyes of lapping cattle.
He sees lips endlessly
Smiling, cooing, and eyes
That look on him softly
With ineffable love.
Then, to clear clinch the case:
When he is otherwise
Tended, fed and fondled,
There’s a constant ripple
(A fish never will hear)
Of murmurings that pour
Unending love into
His shell-dainty pink ears.
The Sad Tale of a Little Girl
With a Casual Regard for Time
And no Taste for Pink
2016
Languid awakening, summer light
Streams into her bedroom, beams on
The new blue dress hanging nearby.
Sudden delight: ‘Oh, my birthday!’
Time for song (‘zip-a-dee-doo-dah’[1]),
For bouncing blithe from bed, trilling
Softly (‘zip-a-dee-ay’), slipping
From nightie to knickers that dear
Mummy laid out - and so (‘oh, what
A beautiful day’) into the
Gorgeous blue dress, to flounce, preen and
Pirouette before the mirror.
Then, still wrapped sweetly in song, it’s
Off to join Mummy and Daddy and
Get going this super-doop day!
Little slippered feet dance (‘plenty
Of sunshine going my way’) down
The Long Hall to the Big Bedroom.
The soft singing abruptly ends.
It’s dark, Daddy’s snoring, Mummy’s
Asleep - until gentle fingers
Tug her awake, and all joy is
Quick crushed by a whispered rebuke:
‘Go back to bed; it’s too early!’
[1] ‘Zip-a-dee-doo-dah, zip-a-dee-ay!‘My oh my, what a wonderful day,‘Plenty of sunshine heading my way …’
A Joyous Time
2016
In the flush of a wondrous Spring,
My daughter and her dear man came
And filled our days with hugs and talk
And laughter and fine Roman fare,
And all manner of good works.
When they went they said, ‘We’ll be back!’
That left us moderately happy.
A Certain Grandmother at Play
2017
Giggling, Nicholas (two years plus)
Stands sturdy while Alexander
(Eight months) gazes down from fond arms,
Soft smiling as if in the know.
Lala, on all fours, creeps towards
The false-cowering Nicholas
With grimace and menace – and then
Springs like a tigress, smothers in hugs.
She replays the game, and others,
Until her eighty years force her
To rise (like Venus from the waves)
And behave like a standard grandma!
My Lady and Dance
2017
At theatre, ever ravished by ballet;
At ballroom, her flair won constant applause.
At eighty, walks tall like a dancer and
Shimmies when ol’ Satchmo’s1 trumpet resounds!
1.Explanation for non-oldies: ‘Satchmo’ (short for ‘Satchel-mouth’) is the nickname of Louis Armstrong, a much-loved African-American musician and singer of the mid-20th century.
The Lion of Le Ripe
2018
Of Homeric line is sweet young Argo,
Fair Le Ripe’s newest, bravest hero.
As now told, ’twas in the forest shadow
He fought, with prodigious grit and gusto,
A rampant boar a little while ago
To save his ladies from said savage foe.
He endured his wounds like a true hero
(the doctor later brought him further woe),
And left it up to others, as you’d know,
To tell the world the tale of bold Argo.
A Mantra Recycled
2018
‘I love you all the time and all the same’:
Nightly, a lifetime ago, I whispered
These words to my little daughter aiming
To soothe worries lingering from the day.
Now, I find myself once more whispering
Them to another dearly belovèd
In slighter hope of soothing the darker
Worries of a deeply troubled old mind.
Songs for Lena: III
Songs for Lena: IX
Of Hidden Joy
For nine weeks, Regis rules keep my
Lady from her cherished carer.
But astute Aziza spies a
Chance, delivers clothes to Regis,
Darts upstairs to Coppin ward and
Finds the lady in her wheelchair.
Then, as has long been her way, she
Dances for her ailing ‘princess’.
Throughout the dance, the lady’s eyes
Are blank, the face is set in stone.
And yet her dainty hands softly
Clap in a pattern from the past;
And when the dancer at last asks,
‘Do you remember me?’ the
Princess, still without expression,
Promptly, firmly whispers, ‘Yes!’
When Words are Precious Jewels
Now mostly mute, her voice
A whisper, the tally
(In my hearing) of her
Clearly uttered words is
Minute: a few ‘yes’/‘no’,
Fewer still ‘I love you’,
And one ‘You’re wonderful’.
But today, asked if she
Needed the toilet, she
Avoided yes or no,
Head-shake or nod, silent
Stony stare – and instead
Whispered the startlingly
Uncertain, ‘I’m not sure!’.
Of Innocent Thieves
Coppin ward residents
Fall into three distinct
Ambulatory groups:
Those who can walk freely,
Those who can walk only
With a frame, and those who
Cannot take a single step
(which includes my lady).
Most of those who freely
Walk are known as the
‘Wanderers’ because they
Spend the greater part of
Their waking hours shuffling,
At snail’s pace, along the
Ward’s corridors and its
Outdoor garden pathway.
Mostly, wanderers do
No more than endlessly
Patrol these public spaces,
But sometimes a laxly
Open door entices
One to meander in,
Vaguely look about, and
Then meander out.
This explains why, sometimes,
Small colourful, glittery
Or tasty things disappear
From rooms; and also why
The cupboards and drawers
Of certain wanderers
Are sometimes discreetly
Ransacked by their carers.
The Day That Smile Came Back
(27 May 2020)
She was in her wheelchair when she 8
Turned her head to look at me, her
Face as usual quite impassive,
Her eyes without expression.
Then marvellously, after months of
Thin-lipped shadows, her lips curled
Into the full-blooded smile that
Has ravished me so many times!
Unlike those soon-extinguished
Shadows, too, it lingered and returned
Several times that day, when I
Fished for it with honeyed words.
Yet sadly, almost eerily,
Not once was it accompanied
By the lovely, sparkling eyes that
Had crowned it in the golden past.
Songs for Lena XII
2020
Outclassed
I’d popped chocolate sultanas
Between willing lips, plied her with
Water, shown some TV, stolen
Small kisses, chatted a little
About us and happiness, and
Watched her dear face while she dozed.
Throughout, she had been entirely
Mute and almost entirely without
Expression, though rewarding me
With an occasional thin smile,
A little hand-holding and two
Attempts to love-bite my fingers.
Towards the end of our time, she
Moved uncomfortably in her
Wheelchair: asked if she needed the
Toilet, she nodded; I pressed a
Button, and help soon came in the
Dainty shapes of Jaya and Yasmin.
Both Coppin ward veterans, they
Swooped, smothering my lady in
Fond words and gentle mirth as they
Lodged her in their machine – and won
The loveliest smile of the day!
Was I envious? Just a smidgen.
Almost Like Old Times
At Regis, I’ve lately tumbled
To the fact that a well-padded,
Manoeuvrable wheelchair and a
Button that sets her bed-height,
Allows me to hold my sleeping
Lady’s warm hand in comfort for
An hour and more – and even have
A doze or two of my own!
Of Aziza and her Princess
For the first time since
Regis came into our lives,
We bonded three were gathered
In the one room – my lady,
Wheelchaired and mute; Aziza,
Her devoted carer; and me.
Aziza then made the play.
She danced, as of yore, for her
Princess, plied her with grapes and
Fine chocolate, spoke gentle
Of love, and wreathed us all
In warm laughter and joy.
From behind stony eyes, my
Lady’s ecstasy gushed forth
In myriad small smiles, in hands
Clapping lightly, murmured streams
Of blurred words and pinching
Fingers bespeaking her love.
Twice more we met; Aziza
Worked her magic each time; and
Enchantment, thrice a week, seemed
The way of the future.
Then, abruptly, the second
Lockdown put the future on hold!
Songs for Lena XIII
2020
The Second Lockdown
Happily, we bonded three
Have contrived to meet, in a
Fashion, through most of this one.
Thrice weekly, then daily, a
Phone ‘face call’ assembles us.
If my mute lady is awake
She can hear as Aziza
Or I talk; she can watch as
Aziza dances (always
An orange on her head), shows
The flowers in our courtyard.
And she may perhaps smile a
Little, even whisper a word.
If she’s asleep when we call,
We don’t wake her, just look
On her dear face for a while.
Then steal quietly away,
Cherishing the next time.
Looking Back:
The Saddest Accolade
Eight weeks before Regis, in the
Bedroom we’d shared for thirty years,
I had asked my ailing lady,
‘Can I get anything for you?’
I could only hug her, through tears,
When she gravely replied: ‘Yes, Ross’.
Looking Back:
The Joy of the Dance
My lady loves dancing; I don’t.
But I loved watching her dance.
She loved me watching her dance.
She would dance for me when we were
Alone at the roomier farm.
And always at the finish
She would fling herself, panting,
Laughing, into my greedy arms.
Songs for Lena: XIV
Of Sadness
(30 August 2020)
Today, after our latest
Phone ‘face-call’, I finally
Accepted that my lady
No longer knows who I am.
But she still knows Aziza,
And I need to see her, so
We’ll persist with the calls.
Of Cautious Joy
(6 October 2020)
After three barren months,
I have her warm hand in mine.
Long moments pass, her face like
Stone, while I forlornly drone
On about love and old times.
Then, beyond all hope, I feel
Sudden soft pressure on my
Hand, see a paper-thin smile.
I dare to believe, as her
Eyes close, that she still knows me!
Like Coming Home
Returning to Regis
To visit my lady
After long absence.
So many warm greetings,
So many smiling eyes
Above Covid-masked lips!
A hardened loner, I
Was startled by my sudden
Sense of community!
A Pretty Trick of the Trade
My lady’s Regis dentist
Reported that Coppin ward
Carer, Ben from Vietnam,
Had been ‘superbly helpful’.
He must, I reasoned, have made
Sure my lady’s certainly
Reluctant jaws stayed agape..
How? Not too forceful I hoped.
Caught up with Ben after months
Of puzzling, put the question.
His reply was simple and
Beautiful: ‘I tickled her!’
Songs for Lena XV
Crescendo!
(25-28 November 2020)
Wednesday, Liberation
Regis email drops like manna
From a clear sky: bookless visits,
Free movement, re-opened cafés,
No fixed limits on duration,
Or even visitor-numbers!
Thursday, the rose garden
I trundle my lady into
This sunlit place of dreaming to
Find, against report, a lovely
Ten survivors, red and gold and
Cheery - if slightly bedraggled.
But for once, a sad caveat:
I confess, I’m not quite sure that
She is seeing them as I do,
Let alone sharing my delight!
Friday, princess enthroned
We bonded three meet in Regis.
Meaning Aziza can again
Cuddle her princess, dance for her,
Feed her chocolate and biscuits,
And smother with sweet talk and love.
Meaning, too, that I can again
Loll lazy in my chair, holding my
Lady’s soft hand and playing a
Saucy, talkative audience.
Saturday: the Sisters
Rita and Norman come to Regis.
In my lady’s bedroom their fond
Words flow like honey, but leave her
Unmoved as she munches and sips
In utter, stony-faced silence.
Yet her gaze does not shift for a
Second from her sister’s face.
Time meanders by on leaden wings,
Faint hopes fade faster, but her gaze
Never shifts – until, the slightest
Flicker of her lips the only
Warning, her arms are suddenly
Flung open, and the sisters embrace!
Hope in Hot Chocolate
2020
The Regis self-service caf,
After five months, our old table
By the window with the ghost gum.
I fetch hot chocolate and she
Drinks, with help, in utter silence
As I weave my prattling web.
It happened with her second cup,
After wordless weeks, a startling
Faintly whispered, ‘I love you!’
Next day, same place, same drill: beyond
Belief, a second whispered ‘I love you!’
And this time with a little smile!
Next day, same place, same drill: after
Two cups, with prompting, not a word!
One more fond theory bites the dust.
Songs for Lena XVI
A Glittering Gift
2021
New Year’s Eve, just a flash:
A quick full-blooded smile
And cheeky right-eye wink
From my wordless lady
While she looked into my eyes.
For certain this time, too,
’Twas no figment of my
Avid mind – as dainty
Yasmin bears me witness!
The Third Lockdown: A Breakthrough!
On the first day of the New Year
I bounced up to Regis reception
Expecting the usual wave-through
To my lady in Coppin ward.
Instead, the portcullis crashed down,
And from behind a daunting double
Face-mask a dulcet voice told me
She was again forbidden fruit.
The tone was gentle, the regret
Repeated, the dark eyes sincerely
Sympathetic, but the words
Remained unaltered by my pleas.
So I shuffled off, dreading the
Face-call-only, dreary-days ahead -
Until my legalistic eye
Lighted on some formal small-print.
Lo! A loophole which (once fairly
Argued, fairly judged) secures
Me two precious visits in each
Week this further lockdown lasts!
Songs for Lena XVII
2021
Why Didn’t I Check Before?
It’s been hard to get one clear word,
Let alone three, from my lady
In the months since she entered Regis.
Yet on a handful of occasions
She has cut through my prattle with
A thrilling, whispered, ‘I love you’.
In between times I have waited
Hopefully for more - until a
Recent day when, for the first time in
My life, entirely without forethought,
The question came from nowhere.
‘Do you love me?’ I blurted out.
Her response (a whispered ‘Yes’) came
Back with wonderful, startling speed.
I hugged and kissed her but did not
Push my luck until the next day.
Again I asked: ‘Do you love me?’
Again, like a flash, she whispered “Yes’.
And so it has been since then.
Each day I ask the same question.
And each day she responds promptly,
And to my complete satisfaction.
The Hard Truth
(25/1/21)
Not so long ago, she could nibble
At a biscuit in her hand, hold
A half-cup of hot chocolate,
Fling out her arms in greeting.
Not so now: it’s time to face it.
Bit by bit, her body’s shutting down.
She is dying before my eyes.
Songs for Lena XVIII
2021
Reading the Signs
At last, expressionless, in total
Silence, she slowly reaches out,
Gently touches her sister’s hand.
Nothing more than that: one brief touch.
But she is saying, in the
Only way she can at this time:
‘Yes, now I remember who you
Are, and I love you very much’.
Spirit!
Stony-eyed, strung high
In the ‘standing machine’,
Nightie up round her waist,
She’s wheeled from the toilet.
She looks straight at me.
Her right-hand lifts an inch
From the arm-rest and its
Fingers wave gently - twice!
For Content
Just sitting
Beside her
Holding her
Hand is not
The best; but
It’s enough.
Songs for Lena IX
2023
Lena’s Affirmation
‘Tis almost four years since the day she
(Now cocooned in Coppin Ward)
Glanced north across the mighty Goulburn river -
And shouted in delighted wonder as a
Massive tidal wave of dark storm clouds poured
Soundlessly over blue horizon hills!
Then, as if on cue, clamouring magpies
Hurtled up from eagle-threatened nests nearby;
Darting blue wrens discovered ants below her window;
While the rising sun calmly glistened dewy fields,
Fondled southern summits she had solo-climbed,
And gilded drifting clouds that never ceased to please.
It was to be her last day at the farm,
Though we did not know it then.
Sometime before it ended,
She was overheard to murmur
In pensive contemplation,
‘Oh, I do so love this place.'
My Sister and Tears
2023
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